Image: Installation view, Live Pridefully: Love and Resilience within Pandemics, Queens Museum. Photo credit: Hai Zhang.
LIVE PRIDEFULLY: Love and Resilience within Pandemics - The Exhibition
Photo by TrinCity Photos
Caribbean Equality Project
est. Queens, NY, 2015
Rajiv Mohabir, Live Pridefully, 2021
Digital Print
Photography by Christian Thane
Courtesy of Caribbean Equality Project
Selected by Brenda Shaughnessy for the 2014 Intro Prize in Poetry by Four Way Books for his book entitled The Taxidermistʻs Cut (Spring 2016), Rajiv Mohabir's (he/him/his) first collection is a finalist for the 2017 Lambda Literary Award in Gay Poetry. He received fellowships from Voices of Our Nationʻs Artist foundation, Kundiman, The Home School (where he was the Kundiman Fellow), and the American Institute of Indian Studies language program. His second manuscript The Cowherd’s Son won the 2015 Kundiman Prize (Tupelo Press in May 2017). 2021 saw the release of Mohabir’s poetry collection Cutlish (Four Way Books, 2021). He was also awarded the Harold Morton Landon Translation Award from the Academy of American Poets, and a 2015 PEN/Heim Translation Fund Grant for his translation of Lalbihari Sharma’s I Even Regret Night: Holi Songs of Demerara (Kaya Press 2019), published originally in 1916.
In 2019 Rajiv Mohabir also received the New Immigrant Writing Award from Restless Books for his memoir Antiman, selected by Terry Hong, Héctor Tobar, and Ilan Stavans ( Restless Books, 2021).
With Kazim Ali, Mohabir edited the Global Anglophone Indian foilio for POETRY Magazine in 2019. His poem "Ancestor" was chosen by Philip Metres for the 2015 AWP Intro Journal Award. His poems also received the 2015 Editor's Choice Award from Bamboo Ridge Journal and the 2014 Academy of American Poet’s Prize for the University of Hawai‘i. His poem "Dove" appears in Best American Poetry 2015. Other poems and translations appear in journals such as Quarterly West, Guernica, The Collagist, The Journal, Prairie Schooner, Crab Orchard Review, Drunken Boat, small axe, The Asian American Literary Review, Great River Review, and PANK. He has received several Pushcart Prize and Best of the Net nominations.
Winner of the inaugural chapbook prize by Ghostbird Press for Acoustic Trauma, he is the author of three other multilingual chapbooks: Thunder in the Courtyard: Kajari Poems, A Veil You’ll Cast Aside, na mash me bone, and na bad-eye me. In 2021 he collaborated with Aotearoa based poet Rushi Vyas to write Between Us, Not Half a Saint.
Rajiv holds a BA from the University of Florida in religious studies, an MSEd in Teaching English to Speakers of Other Languages from Long Island University, Brooklyn, and an MFA in poetry and literary translation from Queens College, CUNY where he was Editor in Chief of Ozone Park Literary Journal. While in New York working as a public school teacher, Rajiv also produced the nationally broadcast radio show KAVIhouse on JusPunjabi (2012-2013). He received his Ph.D. in English from the University of Hawai’i and is currently Translations Editor at Waxwing Journal and teaches in the BFA/MFA program in the Writing, Literature, and Publishing department at Emerson College.
About Live Pridefully: Love and Resilience within Pandemics:
As part of the Queens Museum’s Year of Uncertainty, the Caribbean Equality Project is proud to present Live Pridefully: Love and Resilience within Pandemics, an interdisciplinary exhibition that celebrates queer and trans Caribbean resilience through a racial justice lens, while fostering critical conversations related to pride, migration, surviving colliding pandemics, and coming out narratives. Caribbean diasporic immigrant rights, gender justice, and trans rights advocates live at the intersections of outdated immigration policies, anti-black violence, racism, homophobia, transphobia, gender-based violence, xenophobia, and misogyny in the United States and throughout the Caribbean region.
Since the beginning of the COVID-19 pandemic, queer and trans immigrants of color have lived in a constant state of fear and isolation, from food insecurity, a lack of access to equitable healthcare, and rising rates of anti-Asian violence and police brutality against Black bodies. In a year of uncertainty, Live Pridefully reimagines and affirms undocumented Black and Brown LGBTQ+ immigrants and asylum seekers as essential workers, creatives, and contributors to the cultural diversity of New York City.
This interdisciplinary exhibition was originally presented at the Queens Museum from December 4, 2021, to March 6, 2022, as part of the Year of Uncertainty. In 2022, it was transformed into an outdoor photography exhibition shown at Brooklyn Bridge Park during the 2022 Photoville Festival. In 2023, this historic exhibition becomes the first public art installation by Photoville in Richmond Hill, Queens -home to predominantly Indo-Caribbean and South-Asian immigrant communities where Caribbean Equality Project is based.
Curated by Mohamed Q. Amin, portraits of Caribbean LGBTQ+ immigrants anchor the exhibition, with oral Afro and Indo-Caribbean migrant histories and stories driven to construct healing through storytelling, embodied resilience, and intersectional dialogue on postcolonial belonging, anti-Asian hate violence, and Black trans liberation.
